This experimental course offers students the opportunity to seriously explore some topic or question in history, philosophy, or one of the social sciences, which has a bearing on their degree project. Students will be guided through the process of formulating a research project, identifying the relevant literature, critically reading that literature, and working out how the HPSS material (content and/or methodology) can deepen and enrich their studio practice. We'll look at some artists and designers who have made these sorts of connections but spend most of the time in discussion of student work. Coursework will be tailored to the needs of individual participants. To obtain permission to register for the course, send an email to the instructor with the following information: your name, major, year in school (junior, senior, graduate student), and a description of (a) your studio degree project, as you currently conceive of it, and (b) the area, topic, or question in history, philosophy, or the social sciences that you want to explore.

Elective

While many tend to think about bureaucracies in emotionally charged terms (for example, Kafka and Orwell) or treat them with sarcastic derision (e.g., Parkinson), bureaucratic organizations are specific social structures possessing well-defined characteristics and following certain logic of behavior and development. They are present in government and business, as well as non-government organizations. Individual entrepreneurs and small businesses have to deal with bureaucracies to survive and thrive. This course will tell you how to behave around bureaucratic organizations. There are four major themes: organizational behavior, organizational boundaries, organizational environment, and interaction between organizations. Each theme will be looked at from the point of view of various types of bureaucracies: government, private, and non-profit. We will have a specific discussion of social entrepreneurship and its ability to navigate bureaucratic structures. Special attention will be paid to interaction between government and private bureaucracies. The course relies on a combination of lectures and in-class discussion. Students will be asked to write four short papers based on case studies and present them in class. There will be a final exam.

Electi

As part of a broad civics and liberal arts education, the main goal of this course is to provide students with the opportunity to increase their knowledge of US elections, US electoral demography, and the US political system.  In addition to a focus on the campaign(s) for the US Presidency in 2024, this course will explore the cultural, demographic, social, and spatial dimensions of the current US electorate, identify and examine important swing states and congressional districts in the race for control of the Senate and the House of Representatives, detail the stakes involved for control of these two governmental bodies, analyze image-making in and the visual culture of US political campaigns and elections, and detail the mechanics and mechanisms of US elections and US electoral cycles.  The main theme addressed in this course will be the dynamic of and dialogue between a particular cultural and social moment in US history and the course and outcome of US political campaigns and elections.  Additional themes that will be developed in this course include: the on-going diversification of the nominees put forward by US political parties; splits (within and without) in the ideology and positioning of the Democratic and Republican parties; and the evolving demography and political positioning of the US electorate.  In this regard, this course will look forward to and prepare students to analyze and grapple with the run-up to and results of the next US Presidential election on November 5, 2024.  As young adults whose lives, in many ways, will be shaped by the outcome of US elections present and future, the over-arching objective of this course will be to raise students’ civic awareness and underline the importance of US elections in articulating, defining, and reflecting the identity and future of America as a nation.

Multicultural Psychology is more than just understanding and appreciating diversity, it's about the influence that a multicultural world has on individuals and social systems that exist within it. Together we will explore the social constructs of race, ethnicity, gender, sexual orientation, class, and ability through readings, videos, in-class activities, and class discussion. Informed by psychological theory and research, we will examine the impact that these labels have on a person's identity development, societal positioning, and mental and physical health and well-being. By the end of the class, students will be able to explain the advantages and challenges that individuals and societies face as we become more interconnected in a diverse world.

Elective

In the late 1990's and early 2000's research psychologists began the field of positive psychology to combat two trends:

1) a large and growing body of faux scientific self-help literature that was not based on empirical science

2) a historical legacy of the field of psychology almost exclusively focusing on the function and operation of negative emotions (fear, anxiety, depression, anger, etc.).

Positive psychology focuses squarely on positive emotions (e.g., happiness, gratitude, love, awe) as well as experiences like forgiveness, resilience, and flow that improve our psychological well-being. With a focus on human strengths and virtues, the difference between that which we think will make us happy compared to what will actually improve happiness, the ways in which we can improve our satisfaction with relationships, and meaningful cognitive and behavioral changes that can have a big impact on one's psychological well-being, this class will review research on how to achieve a more satisfying life. Although this is not a self-help or "self-care" course, by reviewing the scientific literature and assigning exercises for personal practice this course will offer meaningful experiences for self-reflection and insight into how techniques can be applied to one's own daily life.

Elective

This course explores the psychological, biological, and social factors that relate to drug use, abuse, addiction, and theories of intervention and treatment. Social values and public policy will be used to explain historical and current drug use trends. This course provides a holistic foundation for understanding drug use behavior from a biopsychosocial perspective.

Elective

The health of the American economy and, at times, the strength of our spirit as a people are measured by how much we spend on consumer goods. Both individually and collectively, we are defined not only by what we purchase, but by the act of shopping itself. How did we become a nation of citizen consumers? What drives consumer demand? Already in the late 19th century, middle-class values were shifting from thrift to indulgence, though we remained a producer nation for much of the 20th century. Nonetheless, the steady decline of manufacturing in the United States and the outsourcing of production in an increasingly globalized context have done little to cool our love affair with consumer goods. Using an interdisciplinary American Studies approach that explores the intersections of history, politics, material culture, gender and sexuality, class, race, religion, immigration and ethnicity, and the built environment, this course examines the nature and expansion of mass consumption, the democratization of desire, the meanings attached to consumer goods and the act of spending, the role of technology and advertising, and the impact of mass consumption upon the built environment. We will investigate consumption patterns over time among women, people of color, immigrants and their descendants, sexual minorities, and youth. Studies of consumption within ethnic communities, in particular, suggest the creation of transnational identities. As a result, we will also explore globalized consumer products and patterns. Finally, the course will look at the various kinds of controls to which American consumerism has been subjected.

Elective

This course will focus on the cultural and artistic activities which came into being as a result of contacts between the civilizations of Europe and Asia (China in particular). Among the topics explored will be: the ancient world, the Silk Route and Buddhism, the nomads of Eurasia as agents of cultural exchange, early European travelers to China (Marco Polo), the Jesuits at the court of the Chinese emperors during the Ming and Qing dynasties, and finally the Western colonial experience.

This is a co-requisite course. Student must also register for HPSS S604 - Art and Religion on the Silk Road - Part B. 

Elective

This course is an exploration of the ways in which Buddhist philosophy and religious practice, and the commercial works of Buddhist temples, shape societies both where Buddhists are a majority and minority. In this lecture-based course, we will explore the diverse manifestations of Buddhist doctrines, practices, and institutions across a wide array of socio-historical contexts. More specifically, we will learn about how Buddhist communities, artistic conventions, narrative traditions, and cosmological understandings have been influenced by, and exercise effects upon, distinct historical, economic, political, and cultural settings. Our functional premise is that religion is never divorced from its time and place, and also that Buddhist thought makes its way into countless objects, legends, and cultural productions even outside of Buddhist communities. Apart from reading texts from the disciplinary perspectives of religious studies, history, and anthropology, we will also engage with the impressive collection of Buddhist artefacts at the RISD museum and take part in field trips to interact with practitioners at two Buddhist centers in the Greater Providence Area. Evaluations will include (but are not limited to) regular written assignments, brief quizzes, and an end-of-term debate concerning a topic pertinent to the course’s themes.

Elective

The course will examine ways that many media, especially film, respond to the great social forces of their time and their culture. Some films, and other creative expressions, reflect an inherent endorsement or criticism of the politics contemporary to them. We will examine social critics' roles in some of the influential movements of the West in the 20th century--the Russian Revolution, German Nazism, the New Deal, World War Two, the Cold War and Third World Liberation movements. Requirements include readings and screenings from each of the eras covered, written assignments and exams, and participation in class discussions. In addition to three hours of class each week, there will be evening film screenings.

Elective

This corequisite course (Art and Religion on the Silk Road - Part B) is a required supplement to Art and Religion on the Silk Road - Part A. The course is designed as an additional workshop consisting of museum and library visits and hands on work on materials in those collections which relate to the topics explored in Part A. Readings will assigned ahead of these visits to gain an understanding of the material seen. Written responses to the readings and the visits are due weekly. In addition, to the RISD Museum collections (Asian Art, Costume and Textiles, Decorative Arts, Classical Antiquities) and the Fleet Library special collections, we will tentatively visit the John Carter Brown Library, the Hay Library and the Haffereffer Museum at Brown University. Provided funds will be available, we may visit the Boston Museum of Fine arts, the Peabody Essex Museum in Salem MA, and the Harvard Art Museum.

This is a co-requisite course. Student must also register for HPSS S504 - Art and Religion on the Silk Road - Part A.

Elective

As the study of behavior and mental processes, psychology allows us to better understand how people think, feel and act. This introductory course provides a broad overview of the major content areas within the field of psychology (e.g., physiological, developmental, social and cognitive psychology) and will introduce you to the psychological theories and research used to understand human behavior. We will cover a wide variety of topics, including how people learn, process and store information, why people possess distinct personalities, how social situations and cultural norms affect our behavior, how we grow and develop throughout our lives, etc. Throughout the course we will critically evaluate the merit of classic psychological theory and research in understanding people's thoughts, feelings and actions in real world situations. This course will provide a broad knowledge base for those interested in taking upper level psychology classes.

Elective

In this course, we will investigate two central questions: how are sounds shaped by place and power, and how are place and power ​​negotiated/reconstituted in and through sound? Building on the works of Canadian composer R. Murray Schafer, this course will explore "soundscapes" as fecund sites of social and political inquiry. Through readings, recordings, and soundwalks, we will question how the soundscape functions both as a sonic place and as a way of making sense of that place. The course will include lectures, discussions, and short writing assignments. For the final project, students will analyze a soundscape of their choosing, paying specific attention to its structural components (keynote sounds, signals, soundmarks, etc.) as well as its social, political, and economic resonances.

In most advanced cultures of the world, the passion for sports has reached into many and unexpected aspects of society. As participants or observers, we all, at one time or another, recognize the power of sports as spectacle, distraction or metaphor. This course will examine the evolution of sport from competition among individual athletes in the ancient world through the rise of team sports in the 19th and 20th centuries. It will then consider the influence of sports on language, politics, gender identity, art and architecture, literature, media, and apparel, among others. Sports inevitably have an interrelation with class, race, and nationalism; and they have developed their own myth & ritual & hagiography, aesthetics, economy, cult of celebrity and statistical idiom. There will be readings, assigned papers, classroom presentations, an exam and field trips to local sports events.

Elective

This course provides an introduction to the interdisciplinary field of Inventive Political Ecologies. This course will critically interrogate the many different proposals for inventive political ecologies that have emerged out of the critical social sciences, technology and engineering studies and the broad fields of design, planning and architecture. We will collectively discuss and debate what these inventive political ecologies might offer for addressing and acting on the environmental and climate crisis. We will consider ways in which discussion of “invention” and “innovation” can both open up and sometimes narrow eco-political and environmental discussions. Finally, we will continually consider which inventive political ecologies might help us move towards designing and building more just post-carbon futures.  

Elective

This course provides an introduction to the interdisciplinary field of Inventive Political Ecologies. This course will critically interrogate the many different proposals for inventive political ecologies that have emerged out of the critical social sciences, technology and engineering studies and the broad fields of design, planning and architecture. We will collectively discuss and debate what these inventive political ecologies might offer for addressing and acting on the environmental and climate crisis. We will consider ways in which discussion of “invention” and “innovation” can both open up and sometimes narrow eco-political and environmental discussions. Finally, we will continually consider which inventive political ecologies might help us move towards designing and building more just post-carbon futures.  

Elective

Evil has long been a topic of study for theologians and philosophers, but has only recently been studied by psychologists. Although evil is an inherently subjective topic, we will attempt to take an objective, scientific approach to understanding why people engage in evil behavior. Thus, we will begin by attempting to suspend the notion that we can divide the world into good and evil, and instead understand the situational and psychological factors that could lead anyone to harm others. Specifically, we will focus on classic psychological studies that show how everyday people can be led to act in deplorable ways by manipulating the situational circumstances. We will also discuss how inter-group processes can lead to conflict and large scale acts of violence like war and genocide. Finally, we will study the nature of the psychopathic personality in order to better understand those individuals who feel no guilt or remorse for harming others (e.g., brutal dictators and serial killers). This is a very interactive class and will require you to contribute in discussion and prepare an in-depth presentation on an area of your own interest related to the psychology of evil.HPSS-S101 is a prerequisite for undergraduates.

Designers and architects are constantly making objects, systems, services, infrastructures but they are also involved in dream making, desire shaping and negotiating power relations. The aim of this class is to introduce students in an accessible way to the wide-ranging insights that a sociology of design and architecture offers for understanding and evaluating the contours of our current designed economies and possible future designed worlds. We will explore design and architecture as forms of classed, raced and gendered labor and look at the tensions that have long existed between professional designers and publics. We will consider the ways in which the mainstream design industry is shaped by and a shaper of politics and culture and consider how it is embedded within and maintains markets, fossil capitalism, consumer culture and colonialism. We will appraise what sociologists and design theorists have to say about possible future design economies and societies based on digital surveillance, automation/robotics, and bio/geo-engineering. Finally, we will critically examine at a range of critical design social movements: from design justice to decolonial designers, feminist designers to designs for decarbonization and sustainable transitions which argue more just and ecological design worlds are still possible. 

Elective

Innovate and explore the world of soft goods (goods made with fabric, from handbags and stuffies to kites and blankets) without the slow limits of learning to harness sewing machines. Rouge Fibers throws out the rulebook on made-well and favors fast and rough experimentation with hand-stitching, heat welding, fusing, gluing, and weaving. We will emphasize iterative practices, focused on innovating with material and form, to create one-of-a-kind soft goods. 

In- class demos and workshops will equip students with techniques from traditional weaving and hand-sewing to darning and felt-forming. Students will create and fuse unconventional materials such as paper, non-wovens, bio plastics and natural fibers. Students will learn a variety of non-sewing construction techniques and introduce unconventional fastening methods of our own. 

For final projects, students will begin by defining their own design values, then learn how to incorporate them into their materials development and designs. The first 2-week project will be to create new materials, and joinery techniques, with an emphasis on novelty and innovation. Then, students will use these materials and techniques in two long-term design projects, one values-driven, and one fitting a niche market. Students will both work up from their design values towards a soft object and back down from a niche market-need to a market-fit product. We will learn how to present these works to honor the designers’ innovations. 

No major requirement or prior experience required, only a curious mind and desire to explore.  Students who have taken the Soft Goods class will be invited to advance their existing skills and learn new techniques.

Estimated Cost of Materials: $100.00 - $150.00

Elective

Dear Student,

No matter what professional design direction we choose, we will work with people. This studio is about cultivating a people-centric design practice. Public engagement is about listening, and is an intricate process that informs decisions and approaches towards change. 

We will begin by co-creating our studio’s space, and practice intentional methods for collaboration and critique. Our first projects will be to find the tools and spaces where we already engage with people. We will learn about concepts like the ‘user’, then interrogate and integrate them meaningfully into our work through understanding our positionality, exercising question design, interview protocols and survey best practices.

Larger projects in this studio will include a collaboratively curated experience for our ID community. We will practice prototyping with smaller sketch models, and at full scale with power tools and found materials. Assignments will be based on creating presentations, short videos, sketches, models and mapping tools. We will learn more about the city of Providence and other communities through case studies, documentaries, field trips, archives, walks and conversations with people. This studio is about finding unconventional connections by studying existing public engagement, learning about its historically complex and problematic contexts and systems, and ethnographic practices, and by designing intentional and inclusive experiences for people.

Majors are pre-registered for this course by the department. Preference is given to Industrial Design Students.

Major Requirement | BFA Industrial Design