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FOUND 1006-21
STUDIO: SPATIAL DYNAMICS
SECTION DESCRIPTION
Studio: Spatial Dynamics is a studio-based inquiry into physical, spatial and temporal phenomena. The study of Spatial Dynamics is rooted in the necessity to consider forces and their effects on structure. Force is the consequence of energy. In Spatial Dynamics the energy and resultant forces are studied in actual motion, stability, and materiality. The structures of physical, spatial and temporal phenomena are studied through additive, subtractive, transformative, iterative, and ephemeral processes both analog and digital. Mediums and materials that are commonly explored and utilized have a broad range of characteristics due to their organic and synthetic sources. Most assignments utilize methods such as preliminary sketches and diagrams in research, planning, and experimental processes. Assignments reference the histories and theories of art and design and include areas of inquiry that extend to disciplines such as the sciences, music, dance, film, and theater.
Enrollment is limited to first-year undergraduate students.
Major Requirement | BFA
FOUND 1006-22
STUDIO: SPATIAL DYNAMICS
SECTION DESCRIPTION
Studio: Spatial Dynamics is a studio-based inquiry into physical, spatial and temporal phenomena. The study of Spatial Dynamics is rooted in the necessity to consider forces and their effects on structure. Force is the consequence of energy. In Spatial Dynamics the energy and resultant forces are studied in actual motion, stability, and materiality. The structures of physical, spatial and temporal phenomena are studied through additive, subtractive, transformative, iterative, and ephemeral processes both analog and digital. Mediums and materials that are commonly explored and utilized have a broad range of characteristics due to their organic and synthetic sources. Most assignments utilize methods such as preliminary sketches and diagrams in research, planning, and experimental processes. Assignments reference the histories and theories of art and design and include areas of inquiry that extend to disciplines such as the sciences, music, dance, film, and theater.
Enrollment is limited to first-year undergraduate students.
Major Requirement | BFA
FOUND 1006-23
STUDIO: SPATIAL DYNAMICS
SECTION DESCRIPTION
Studio: Spatial Dynamics is a studio-based inquiry into physical, spatial and temporal phenomena. The study of Spatial Dynamics is rooted in the necessity to consider forces and their effects on structure. Force is the consequence of energy. In Spatial Dynamics the energy and resultant forces are studied in actual motion, stability, and materiality. The structures of physical, spatial and temporal phenomena are studied through additive, subtractive, transformative, iterative, and ephemeral processes both analog and digital. Mediums and materials that are commonly explored and utilized have a broad range of characteristics due to their organic and synthetic sources. Most assignments utilize methods such as preliminary sketches and diagrams in research, planning, and experimental processes. Assignments reference the histories and theories of art and design and include areas of inquiry that extend to disciplines such as the sciences, music, dance, film, and theater.
Enrollment is limited to first-year undergraduate students.
Major Requirement | BFA
FOUND 1006-24
STUDIO: SPATIAL DYNAMICS
SECTION DESCRIPTION
Studio: Spatial Dynamics is a studio-based inquiry into physical, spatial and temporal phenomena. The study of Spatial Dynamics is rooted in the necessity to consider forces and their effects on structure. Force is the consequence of energy. In Spatial Dynamics the energy and resultant forces are studied in actual motion, stability, and materiality. The structures of physical, spatial and temporal phenomena are studied through additive, subtractive, transformative, iterative, and ephemeral processes both analog and digital. Mediums and materials that are commonly explored and utilized have a broad range of characteristics due to their organic and synthetic sources. Most assignments utilize methods such as preliminary sketches and diagrams in research, planning, and experimental processes. Assignments reference the histories and theories of art and design and include areas of inquiry that extend to disciplines such as the sciences, music, dance, film, and theater.
Enrollment is limited to first-year undergraduate students.
Major Requirement | BFA
FOUND 1006-25
STUDIO: SPATIAL DYNAMICS
SECTION DESCRIPTION
Studio: Spatial Dynamics is a studio-based inquiry into physical, spatial and temporal phenomena. The study of Spatial Dynamics is rooted in the necessity to consider forces and their effects on structure. Force is the consequence of energy. In Spatial Dynamics the energy and resultant forces are studied in actual motion, stability, and materiality. The structures of physical, spatial and temporal phenomena are studied through additive, subtractive, transformative, iterative, and ephemeral processes both analog and digital. Mediums and materials that are commonly explored and utilized have a broad range of characteristics due to their organic and synthetic sources. Most assignments utilize methods such as preliminary sketches and diagrams in research, planning, and experimental processes. Assignments reference the histories and theories of art and design and include areas of inquiry that extend to disciplines such as the sciences, music, dance, film, and theater.
Enrollment is limited to first-year undergraduate students.
Major Requirement | BFA
FOUND 1006-26
STUDIO: SPATIAL DYNAMICS
SECTION DESCRIPTION
Studio: Spatial Dynamics is a studio-based inquiry into physical, spatial and temporal phenomena. The study of Spatial Dynamics is rooted in the necessity to consider forces and their effects on structure. Force is the consequence of energy. In Spatial Dynamics the energy and resultant forces are studied in actual motion, stability, and materiality. The structures of physical, spatial and temporal phenomena are studied through additive, subtractive, transformative, iterative, and ephemeral processes both analog and digital. Mediums and materials that are commonly explored and utilized have a broad range of characteristics due to their organic and synthetic sources. Most assignments utilize methods such as preliminary sketches and diagrams in research, planning, and experimental processes. Assignments reference the histories and theories of art and design and include areas of inquiry that extend to disciplines such as the sciences, music, dance, film, and theater.
Enrollment is limited to first-year undergraduate students.
Major Requirement | BFA
GAC 415G-01 / THAD H415-01
LATIN AMERICAN MODERN
SECTION DESCRIPTION
Since the invention of the so-called “New World” in 1492, “Latin America”—as geographic region and sociopolitical construct—has been both central and peripheral to the story of “Western” modernity. This graduate seminar examines how the political and technological revolutions of the twentieth century presented new challenges to the ideas of both Latin America and subaltern modernity more broadly, with competing visions of what exactly Latin American modernity could and should look like. Students will examine a range of movements, strategies, and theories in art, design, literature, cinema, and political theory that proliferated throughout the Americas during the turbulent period bracketed by two paradigmatic revolutions: the Mexican Revolution of c. 1910–1920, and the Cuban Revolution of 1959. Topics of discussion will include the debate between Panamerican unity versus regional autonomy, transatlantic cosmopolitanism versus Indigenism, modernism and the Black Atlantic, magical realism and Surrealist aesthetics, and decolonization in both theory and practice. Weekly discussions will be grounded in a wide range of readings, including background overviews, artist writings and manifestoes, and critical theory that sheds light on the sociopolitical, racial, ethnic, colonial, decolonial, and ecological dimensions of the Latin American modern—with broader implications for how the modern is defined, constructed, and lived.
Elective
COURSE TAGS
- Nature-Culture-Sustainability Studies Concentration
GAC 700G-01
CRITICAL GLOBALISMS
SECTION DESCRIPTION
Introduces students to ways of thinking about arts and culture comparatively, through interrogation of the very terms global, "arts" and "culture." Critical Globalisms emphasizes the development of broad theoretical perspectives within which to situate specific research interests. A requirement in the first semester of the GAC MA degree, Critical Globalisms provides a common vocabulary and experience for all GAC MA students. The course will run as a seminar with weekly reading assignments, regular writing assignments, and in class discussion.
Enrollment is limited to Global Arts and Cultures Students.
This is a co-requisite course. Students must register for GAC-700G and GAC-701G.
Major Requirement | MA Global Arts and Cultures
COURSE TAGS
- Administrative :: Seminar Requirement
GAC 700G-02
CRITICAL GLOBALISMS
SECTION DESCRIPTION
Introduces students to ways of thinking about arts and culture comparatively, through interrogation of the very terms global, "arts" and "culture." Critical Globalisms emphasizes the development of broad theoretical perspectives within which to situate specific research interests. A requirement in the first semester of the GAC MA degree, Critical Globalisms provides a common vocabulary and experience for all GAC MA students. The course will run as a seminar with weekly reading assignments, regular writing assignments, and in class discussion.
Enrollment is limited to Global Arts and Cultures Students.
This is a co-requisite course. Students must register for GAC-700G and GAC-701G.
Major Requirement | MA Global Arts and Cultures
COURSE TAGS
- Administrative :: Seminar Requirement
GAC 702G-01
RESEARCH ISSUES
SECTION DESCRIPTION
Introduces a variety of interdisciplinary, transdisciplinary, and multidisiciplinary approaches to thinking about cultural imagination and cultural production. Students explore their own research habits and consider the viability of standard as well as experimental approaches for the kinds of projects they want to pursue. Key to the work of the course is exploration of the challenges (definitional, practical, ethical) that arise in doing different kinds of research. A requirement in the first semester of the GAC MA degree, the course creates a common vocabulary and experience for all GAC MA students. The course will be run as a seminar, with weekly reading assignments, regular writing assignments, and in class discussion.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
COURSE TAGS
- Administrative :: Seminar Requirement
GAC 703G-01
POLITICS AND ETHICS OF REPRESENTATION
SECTION DESCRIPTION
Introduces some of the complex challenges that confront those who engage with making meaning in the arts. The course begins by establishing an interdisciplinary vocabulary and methodology to address questions of ethics and representation in the arts. The second segment of the course interrogates specific case studies in the politics and ethics of representation. Case studies may be drawn from art, design, literature, music, performance or other forms of cultural production. The course will be run as a seminar with weekly reading assignments, regular writing assignments and in class discussion.
Preference is given to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
COURSE TAGS
- Administrative :: Seminar Requirement
GAC 714G-01 / GRAD 714G-01
THEORIES OF THE IMAGE
SECTION DESCRIPTION
Images provoke, hail, console, and incriminate us. They disrupt our understanding of time; expose that which governs our lives and deaths; and influence how we negotiate selfhood and otherness. Yet, we pay little attention to the ontology of the image. This course asks: what does it mean to read and respond to images contemporaneously? What are the uses and abuses of images? Are we too passive to all we see, or visually too tired to care? Students will read a variety of texts; debate and discuss in class; and submit assignments that knit together their analyses of readings with an artist whose work they are investigating in their own research. We will be reading theoretical writings that are primarily concerned with the painterly, the photographic, and the moving image. Readings are paired thematically. Some of the themes addressed in this class are: the ontology of the image, "images and reading," "images and history," "images and race," "images of / and trauma," "images and desire," and "images and death".
Elective
COURSE TAGS
- Administrative :: Seminar Requirement
GAC 798G-01
PROSPECTUS SEMINAR
SECTION DESCRIPTION
Provides guidance through the process of devising, writing and revising the prospectus that will govern their Master's Thesis. Students will develop the prospectus through in-depth research into a topic of their choice, regular submission of written work, feedback from peers and faculty, and revision of written work. Readings and discussion will provide additional structure to the course. At the end of the semester, students will submit the prospectus to the First and Second Readers of the MA Committee. Acceptance of the prospectus is a requirement for continuing to GAC-799G: Thesis.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
COURSE TAGS
- Administrative :: Seminar Requirement
GAC 799G-01
THESIS
SECTION DESCRIPTION
A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.
Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
GAC 799G-01
THESIS
SECTION DESCRIPTION
A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.
Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
GAC 799G-02
THESIS
SECTION DESCRIPTION
A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.
Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
GAC 799G-03
THESIS
SECTION DESCRIPTION
A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.
Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
GAC 799G-04
THESIS
SECTION DESCRIPTION
A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.
Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
GAC 799G-05
THESIS
SECTION DESCRIPTION
A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.
Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures
GAC 799G-06
THESIS
SECTION DESCRIPTION
A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.
Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.
Enrollment is limited to Global Arts and Cultures Students.
Major Requirement | MA Global Arts and Cultures