Susan Doyle
Susan Doyle holds a BFA in illustration and a dual MFA in painting and printmaking from RISD. Having spent a good deal of her professional life involved in both design and fine art, she is particularly interested in the tension between how something is conceived versus how it is perceived.
Currently Doyle is working on a series of prints and paintings exploring the confluence of abstract and denotative constructs in work that involves graphing, optical illusion and pictorial imagery derived from the stuff and nonsense of myth, fine art and contemporary culture. She is editor of the landmark publication History of Illustration (Fairchild Books-Bloomsbury, 2018), the only textbook to date on the subject.
Courses
Fall 2024 Courses
ILLUS 501G-01
GRADUATE ILLUSTRATION STUDIO I: PERCEPTION AND THE ART OF COMMUNICATION
SECTION DESCRIPTION
The first core studio in the program is centered on an investigation of the mechanics of articulating meaning in an image. Through a variety of projects, students will investigate the efficacy of various strategies in traditional and new media, and engage in perceptual experiments in order to study the intersection of art and visual psychology.
Estimated Cost of Materials: $25.00 - $150.00
Major Requirement | MFA Illustration
Spring 2025 Courses
ILLUS 3712-01
THE SILKSCREENED POSTER
SECTION DESCRIPTION
For half a millennium, posters (or broadsides as they were called) have attracted the attention and sparked the imagination of viewers through much of the world. The best posters are both visually striking and communicative. Designs usually incorporate image and text; but are often effective with either text or image alone. In this class we will learn the essentials of silkscreen printing in the context of studying a bit of the history of serigraph poster design: from historic fine artists such as Toulouse-Lautrec and Alphonse Mucha, to more contemporary illustrators like Seymour Chwast and Shephard Fairey. Students will be designing and printing several editions, experimenting with hand- drawn and digitally produced art and typography. The nature of the silk-screened image allows for investigation of various color palettes or structures for a single image. No printmaking or digital experience required.
Elective
ILLUS 605G-01
GRADUATE ILLUSTRATION STUDIO IV: THESIS
SECTION DESCRIPTION
As a culmination of the MFA program, this intensive studio challenges students to design and craft a significant, topically-focused body of work. Although students may choose creative formats and media according to their own interests, they must publish thesis work produced in class. Publication through digital platforms (podcasts, websites, apps, etc.) will be coordinated with analog forms when possible and appropriate to the project. Together with the research and writing produced in ILLUS 606G Paradigms and Contexts: Publishing the Thesis and Beyond, a comprehensive body of work and a written thesis document will be produced.
Estimated Cost of Materials: $100.00 - $1,500.00
Open to Graduate Illustration Students.
Major Requirement | MFA Illustration