Students in a cross-disciplinary spring studio experiment with projection and glass.
Extraordinary Film Festival Now on View
From the first strains of Beethoven’s Violin Concerto in D Major—the soundtrack behind the animated short by Zachary Simon 21 FAV that kicks off this year’s FAV Senior Show—it is clear that the Film/Animation/Video Class of 2021 has created something extraordinary. The well-paced and professionally produced mix of animated and live-action films, which premiered online June 4–5, takes viewers on a journey into real and imagined worlds light-years away from the sequestered studios in which they were created.
“Last fall each senior began the work on their degree project,” Department Head Sheri Wills writes in the program’s introduction. “It is a yearlong process always full of learning, progress, inevitable setbacks, occasional joys and moments of clarity. The challenges the Class of 2021 took on were, needless to say, daunting.”
“It is a yearlong process always full of learning, progress, inevitable setbacks, occasional joys and moments of clarity.”
From Simon’s harmonious barnyard, we move under the sea for the magical Fish Taleby Long Island native Ashley Paul 21 FAV and then up into the stars with Kaija Harrison 21 FAV, who describes herself as “an animator from the woods of Rhode Island.” The live-action The Lights Between the Trees by Lauren Milan Rausaw 21 FAV next explores the inner landscapes of adolescence.
“The Class of 2021 has been making exciting work throughout their time at RISD,” says Wills, “and this is some of the most ambitious, powerful and thoughtful work I have seen anywhere. We are looking at the future of filmmaking.”
Singapore native Manon Crespin 21 FAV bridges a grounded live-action world with a wacky, animated upside-downy, home to the hilarious and wise Pia, in Apartment 3-1/2. Raised in a Franco-Argentine blend of a family, the artist explains in her bio, she can best express herself through a blend of languages and artforms and spent most of her time at RISD trying to figure out how to blend live-action film and animation.
“I’m creating lovably grotesque characters in the form of puppets, dolls and costumes that represent relationship statuses and personal psychoses.”
Filmmaker Eleanor McQueeny 21 FAV shares her unique view of the world via a short, autobiographical documentary that precedes her experimental How it Feels to Chew Gum (Empty Gum). The liquid latex-loving artist says “she has found herself in an endless effort to build out the world inside of her own mind, creating lovably grotesque characters in the form of puppets, dolls and costumes that represent relationship statuses and personal psychoses.”
Other live-action gems include Mourning Dove by Turkish filmmaker Karia Keith 21 FAV, Pink Noise by Nickole Klarou 21 FAV and the harrowing A Walk Home by Chicago native Gabe Durst 21 FAV. Keith’s beautifully filmed piece is like a traditional fairytale (complete with a wicked stepmother), while Klarou’s takes us into a hallucinogenic, Stepford-esque landscape with no exit in sight.
Durst’s film ends in darkness, the only sound the ragged breathing of the protagonist trying to calm down after his encounter with an aggressive police officer. “A young Black man just wants to have fun and go home,” Durst asks. “That shouldn't be difficult, right?”
—Simone Solondz
Watch the whole festival and read about the 34 remarkable new RISD alums who made it happen at favshow.risd.edu.
June 9, 2021