Pascale Rihouet
Pascale Rihouet is a French-American art historian specializing in European art, 1400–1800. At RISD since 2008, she has taught courses in that field in addition to topics such as the history of glass, performance art, modern and post-modern art, history of drawing. She created two courses delivered year on year (Wintersession) in which history, design, art, critical making, ethics and sustainability coalesce: Tea, Coffee, or Chocolate? and Bittersweet Chocolate. She has widely published on Renaissance art and ritual, material culture and group identity in English, French and Italian academic journals as well as two books Art Moves: The Material Culture of Processions in Renaissance Perugia (Brepols, 2019) and, as co-editor and co-author, Eternal Ephemera: The Papal Possesso and its Legacies in Early Modern Rome (Toronto University Press, 2020). Her research on prints of papal processions earned her a six-week Villa Medici grant in 2019. Pascale is currently finishing a monograph on Roman festival prints of the possesso procession (1589-1775) to be published by Routledge. After working as an administrator for two years, she became a part-time professor at IESA arts & culture in 2023, an art management school in Paris.
Pascale regularly participates in conferences presenting on her two fields of expertise (processions and food history). She was executive director of the New England Renaissance Conference Motion, Rhythm, Shift (RISD Museum, October 2019) and TRANS-DIGITAL: Transitions and transformations of arts and culture in the age of a pandemic (2020–21) (University of Chicago-Paris/IESA). At CAA 2021, she chaired and organized the session Coffee or Chocolate? The Art and Design of Colonial Conquest and delivered a paper called Coffee or Chocolate? Sociability and Invisibility. She contributed to the audio recording Coffee and Chocolate for the Trading Earth: Ceramics, Commodities, and Commerce exhibition at the RISD Museum (April 2022-January 2025). In 2023–24, she passed Levels 1 and 2 of the IICCT (International Institute for Chocolate and Cacao tasting), a certification accredited by FDQ (UK government).
Courses
Wintersession 2025 Courses
THAD H149-101
TEA, COFFEE OR CHOCOLATE? THE VISUAL AND MATERIAL CULTURE OF EXOTIC DRINKS IN PRE-INDUSTRIAL EUROPE
SECTION DESCRIPTION
We are so familiar with these three hot drinks but they became commodities and part of our everyday only recently. This course explores what values were attached to these plants before the era of industrialized production, i.e. before ca. 1800. We will survey how Westerners adopted these beverages by looking at medical theories, the issue of morality, and the expansion of sugar production. We will also study how the craving for these products reinforced or even spurred slavery in French, Dutch, and English colonies. Special attention is dedicated to how ritual behavior affects design in terms of the sociability around these beverages, required manners, and the tableware crafted for them. The methodology is based on the analysis of images, discussions of assigned readings, written responses, visits to museums (RISD and the Museum of Fine Arts in Boston), and touring the facility of a chocolate artisan.
Elective
THAD H352-101
BITTERSWEET CHOCOLATE
SECTION DESCRIPTION
Chocolate started as a spicy, red-colored, Mesoamerican beverage and morphed into the sweet version created by Europeans in the 17th and 18th centuries until mechanization and industrialization launched it in the form of edible bars in the 19th century. This course examines this history through the lens of the visual and material culture of chocolate from the 16th to the 21st centuries. We will discuss the elite's taste for exotic goods in pre-industrial times, the impact of colonialism and global trading networks, Europeans' craving for sugar, drinking rituals, and issues of race. We will work on critically assessing images and objects, deconstructing, for example, the image of chocolate in past or current commercials or reflecting on the erasure of labor in artistic representations. We will trace associations of pleasure, eroticism, the female gender, and racialization while looking at the space and the equipment designed for the performance of chocolate consumption in different cultures. This course also has a strong sensory and ethical dimension. Students will make, from scratch and by hand, the kind of chocolate found in pre-industrial times, processing beans into a cacao paste to be whisked into hot water or milk. To this embodied experience of harsh labor, a tasting session will teach students how to distinguish low- from high-quality chocolate bars. Finally, students will communicate with professional companies to learn about responsible development in the chocolate world today.
Elective