Michelle Charest

Senior Lecturer
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RISD faculty member Michelle Charest
BA, Boston University
MA, Illinois State University
PHD, Brown University

Michelle Charest is an anthropologist, archaeologist, textile artist/designer and naturalist specializing in traditional indigenous and historic fiber arts. At RISD, Charest’s enthusiastic teaching has focused on indigenous art and architecture within global contexts. She believes that indigenous arts education is an essential component of promoting indigenous rights and awareness among non-indigenous populations. Indigenous rights, repatriation issues and concerns about cultural appropriation are all central to her courses.

Charest’s interests in textiles and fiber arts are extremely wide-ranging, particularly addressing every stage of the production chain using small-scale traditional and indigenous approaches, from sourcing and preparing pigments and fibers to spinning, dyeing, weaving, knitting, finishing, sewing, cleaning and preservation. Her work embraces the use of color and creatively borrowing materials and methods from outside of the textile/fiber world.

STEAM (Science Technology Engineering Arts and Math) research is a critical component of Charest’s current work, building on her background in ecology, chemistry, GIS and digital cartography. She is currently researching plants found in temperate North America as potential sources of indigo pigment, with the hope of finding a productive use of excess biomass created by invasive species. She is also working on identifying indicator plant species and mutations that can be linked with particular dangerous chemical signatures in the soil, such as lead and arsenic.

Courses

Fall 2024 Courses

THAD H101-07 - THAD I: GLOBAL MODERNISMS
Level Undergraduate
Unit Theory + History of Art + Design
Subject Theory & History of Art & Design
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start date
End date

THAD H101-07

THAD I: GLOBAL MODERNISMS

Level Undergraduate
Unit Theory + History of Art + Design
Subject Theory & History of Art & Design
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: TTH | 8:00 AM - 9:00 AM; F | 9:40 AM - 11:10 AM Instructor(s): Michelle Charest Location(s): Auditorium, Room 132; College Building, Room 346 Enrolled / Capacity: 20 Status: Open

SECTION DESCRIPTION

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters.  

Registration process:

First-year students are registered into sections by the Liberal Arts Division.

Incoming transfer students and sophomore, junior, and senior undergraduates should register into section 27.  

Major Requirement | BFA

THAD H101-08 - THAD I: GLOBAL MODERNISMS
Level Undergraduate
Unit Theory + History of Art + Design
Subject Theory & History of Art & Design
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start date
End date

THAD H101-08

THAD I: GLOBAL MODERNISMS

Level Undergraduate
Unit Theory + History of Art + Design
Subject Theory & History of Art & Design
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: F | 11:20 AM - 12:50 PM; TTH | 8:00 AM - 9:00 AM Instructor(s): Michelle Charest Location(s): College Building, Room 346; Auditorium, Room 132 Enrolled / Capacity: 20 Status: Open

SECTION DESCRIPTION

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters.  

Registration process:

First-year students are registered into sections by the Liberal Arts Division.

Incoming transfer students and sophomore, junior, and senior undergraduates should register into section 27.  

Major Requirement | BFA

THAD H653-01 - INDIGENOUS ARCHITECTURE OF THE AMERICAS
Level Undergraduate
Unit Theory + History of Art + Design
Subject Theory & History of Art & Design
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start date
End date

THAD H653-01

INDIGENOUS ARCHITECTURE OF THE AMERICAS

Level Undergraduate
Unit Theory + History of Art + Design
Subject Theory & History of Art & Design
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: TH | 9:40 AM - 12:40 PM Instructor(s): Michelle Charest Location(s): College Building, Room 442 Enrolled / Capacity: 25 Status: Closed

SECTION DESCRIPTION

This course will explore the architectural traditions of the Indigenous cultures of North America, Mesoamerica, and South America in historic perspective. Examinations will focus on the critical cultural and environmental circumstances which led to the development of distinctive architectural styles throughout the Americas. Approached from an anthropological/archaeological perspective, specific topics of discussion will include the following: construction methods and material choices, spatial arrangements and use areas, the relationship between physical and social community structure, and architectural manifestation of cultural belief systems. Emphasis will also be placed on manipulations of the landscape in response to social and climatic needs. Architectural culture discussed in this course will range widely in scale, dispersal and geography - from the igloo of a small Inuit hunting party to the entire Mayan city of Chichen Itza, to the terrace and irrigation systems of the Inca.

Elective

Image
RISD faculty member Michelle Charest
BA, Boston University
MA, Illinois State University
PHD, Brown University