Laurie Brewer
In addition to her work in the Textiles department, Laurie Anne Brewer also serves as a lecturer and critic in the Apparel Design and Theory and History of Art and Design departments. Her courses include The Uses of Animals in Relation to the Industry of Man: Design and Nature, 1851 and Now, Global Fashion and Baa Ram Ewe: Fiber Tales and Pathways.
Brewer previously worked in the department of textiles at the Museum at Fashion Institute of Technology (1998–2001) and the costume and textiles department at the RISD Museum (2007–24). She holds a BA in human ecology from the College of the Atlantic and an MA in museum studies: costume and textile history from the Fashion Institute of Technology. Her research often explores the intersections of nature and art, focusing on the ecology of fashion from the 19th century to the present day.
At the RISD Museum her exhibitions and research projects included Textile Printing with Paper Stencils in Japan-Ise katagami (2023–24), The Art and Design of Spider Silk (2019), Luminous Lace: Metallic Trims 1500-Now (2016), Golden Glamour: The Edith Stuyvesant Gerry Collection (2015), Indische Style: Batiks for the International Market (2015) and Queen of the Insects: The Art of the Butterfly (2009–10).
In addition to her curatorial and teaching practices, she is an avid fiber processor/hand spinner, knitter and papermaker.
Courses
Fall 2024 Courses
LAEL 1656-02
NARRATIVES OF GLOBAL TEXTILES: RELATIONSHIPS TO RAW MATERIAL
SECTION DESCRIPTION
Interdisciplinary by their very nature, textile traditions share a global history. Around the world textiles have found place in cultures as signifiers of social identity, from the utilitarian to the sacred, as objects of ritual meaning and as objects of great tangible wealth. The evolution of textile motifs, designs, materials and technology from around the globe will be explored in classroom lecture and utilizing the RISD Museum of Art. We will examine such topics as: the function of textiles in the survival of traditional cultures, the impact of historic trade routes and ensuing colonialism, industrialization and its subsequent effect on traditional techniques of textile manufacture. Thoughtful and scholarly consideration will be given to recent incidents of cultural appropriation in the global textile and fashion industry. Term projects utilizing the material culture approach will afford students the opportunity to gain valuable research skills and explore in-depth specific textile techniques.
Textiles majors can be pre-registered by the department.
Elective
Wintersession 2025 Courses
TEXT 4844-101
FIBER FUTURES: SUSTAINABILITY
SECTION DESCRIPTION
In this course you will learn about the material properties and design possibilities of fiber. We will explore how sustainable design practices are integral to the eventual end use of textiles, be it as yardage, fully fashioned garments, interior applications, structural use, or sculptural material. Via case studies from regional and international sustainable designers, we will investigate fibers. As a guidepost for our syllabus we will learn about the 17 sustainability goals articulated by the United Nations Department of Economic and Social Affairs. With our focus on the textile industry, this course will introduce the theory and practice of circular design, regenerative agriculture, TEK, biomaterials, and manufacturing processes with reduced environmental impacts. Lectures and readings will be enlivened with in-class experimentation, guest speakers, weekly design assignments, and a materials journal. Over the semester we will investigate opportunities and solutions for creating art with a more positive legacy for our planet.
Elective
Spring 2025 Courses
APPAR 3043-01
THE USES OF ANIMALS IN RELATION TO THE INDUSTRY OF MAN: DESIGN AND NATURE, 1851 AND NOW
SECTION DESCRIPTION
This studio-elective course will follow a series of twelve lectures given at the South Kensington Museum as published in P.L. Simmonds, Animal Products. This seminal work served as a compilation of the trade exhibition collections from the 1851 Crystal Palace exposition that eventually served as the seed for the collections of the South Kensington Museum and finally the Branch Museum of the Department at Bethnal Green. These collections laid the foundation for much of the Victoria and Albert Museum collections (V&A) that in turn influenced the creation of RISD and the RISD Museum in 1877. This course will examine design and fashion, naturalist journals, and literature as a means to develop the students design vocabulary and materials palate. Students will compare the tastes and techniques of the Victorian era to contemporary design practices, with case studies of designers utilizing the natural world as a resource and source for design. Weekly lectures will introduce students to artists and designers of the 19th century and compare them to contemporary artists and designers. These introductory lectures will be paired each week with a specific material examination and hand-on exploration via materials demonstrations and a sample notebook. We will engage in readings, group discussions, critique of student Naturalist Journals, materials demonstrations, and examine historic and contemporary Museum objects within each theme material. Field trips to the RISD Museum will be augmented by visits to the Edna W. Lawrence Nature Lab, RISD Materials library, The Providence Athenaeum, The Haffenreffer Museum of Anthropology at Brown University, The New Bedford Whaling Museum, and The Museum of Natural History, Roger Williams Park.
Estimated Cost of Materials: $20.00
Elective