Zibby Jahns
Zibby Jahns is a multimedia social-practice artist whose artwork revolves around reconsidering public space to reckon with loss. Their work spans disciplines, ranging from sculpture to performance, drawing to video, textile to text. Zibby’s artistic practice often extends into research and action beyond traditionally creative endeavors, recently relating to the overdose crisis and ecological devastation. In 2021, Zibby was awarded a Maharam Fellowship to research destigmatized ways of visually depicting people who use drugs. The same year, Zibby erected a steel public grieving sculpture/site on the campus of Wheaton College responding to the overdose epidemic and facilitated design studios with the Center for Complexity to design Rhode Island’s first Harm Reduction Center. In their current work responding to ecological devastation in the wake of colonial extraction culture, Zibby worked in the field with botanist Peri Lee Pipkin in 2023 on a botanical survey of rare Nevada wildflowers that will likely be destroyed by the creation of a lithium mine. Zibby has also been carving eulogic depictions of the biodiversity devastated by bluestone mining and the tanning industries in New York state.
Zibby has performed around the world for over two decades, including at the Contemporary Art Center (New Orleans, LA), the Tank (New York, NY), the Dream Community (Taipei, Taiwan), New Orleans Public Library (New Orleans, LA), Theater for the New City (New York, NY), the Music Box Village (New Orleans, LA), Hell & Gone (Brooklyn, NY), Parse Gallery (New Orleans, LA) and Scott Edwards Gallery (New Orleans, LA). Zibby’s work has been featured in exhibitions including World’s Fair Gallery (Providence, RI), Eli Marsh Gallery (Amherst, MA), Antenna Gallery (New Orleans, LA); Winslow House (Vallejo, CA), Central Contemporary Art (Providence, RI), and their upcoming solo show will be opening spring 2025 at Nikki Gallery in Arabi, LA. Zibby has been teaching studio art for 20 years, most recently at Amherst College, RISD and Wheaton College. Zibby holds a BA in American Studies from Smith College and an MFA in Sculpture from RISD. Zibby currently resides in Kingston, NY.
Courses
Spring 2025 Courses
SCULP 4798-01
SENIOR SCULP DEGREE PROJECT
SECTION DESCRIPTION
Students are expected to continue the independent work developed in the fall senior studio. Over the course of the degree project semester students will present their work in the context of Duet shows. These "Duets" will be accompanied by a short video-taped interview between the partners based upon vetted questions germane to each others work. Seniors are expected to produce a significant group of work commensurate with the departments senior degree level criteria.
Prerequisite: Senior Sculpture Students must be in Good Academic Standing.
Majors are pre-registered for this course by the department. Enrollment is limited to Senior Sculpture Students.
Major Requirement | BFA Sculpture
SCULP 2172-01
OPERATIONAL DRAWING
SECTION DESCRIPTION
What is Operational Drawing? This considers the question by making works that address how we image the body in time and space with tools and media. Akin to dance, drawing just might be the next human activity that engages a spontaneous simultaneous interplay of thought, action and acting upon. In this studio we will be working together and individually to explore how drawing relates to your studio practice. Drawing has often been mistakenly viewed as a preparatory or even secondary element within traditional studio practices such as painting, sculpture and printmaking. Today, in an expanded field, those outmoded viewpoints only stand to unfairly discriminate and rank modes of realizing concept and form. It is also true that this archaic view of drawing has origins in the humble materials often associated within the practice, such as charcoal, graphite, chalk, and carbon black (ink). These geological elements on top of skin like substrates were once the defining features of the activity, but in a contemporary studio practice it is the artist's prerogative to either work with or challenge historical presets. The role of drawing in a contemporary studio practice may play multiple roles. Together we will look at, practice and explore that very thing through installations, group projects and large scale immersive work. Estimated Cost of Materials: $50.00 - $100.00
Elective