Lisi Raskin
Lisi Raskin earned an MFA from Columbia University, School of the Arts (2003) and a BA with High Honors from Brandeis University (1996). Before joining the faculty at RISD, Raskin taught at Tyler School of Art, Columbia University and Virginia Commonwealth University. They have led workshops, given lectures and served as a critic at numerous institutions abroad, including the Universität der Kunst in Berlin, Germany; the Royal Academy of Art in Stockholm, Sweden; Jan van Eych Academy, Maastrich, The Netherlands; and the Valand School of Art, Goteborg, Sweden. In the US, Raskin has been a visiting lecturer and critic at such institutions as the Mason Gross School of the Arts at Rutgers University, the University of Texas at Austin, Parsons School of Design, the University of Buffalo and the School of the Museum of Fine Arts in Boston.
Raskin has exhibited their work at the Contemporary Art Center, Vilnius (2020), ICA at the Maine College of Art, Portland (2012) and created collaborative installations at the Kentucky Museum of Arts and Crafts, Louisville (2015) and Bunkier Sztuki, Krakow (2015). They have published web projects with the Dia Art Foundation, New York (2009), Triple Canopy, New York (2011) and Creative Time Reports, New York. They have had solo shows at PS1 MoMA (2006), Bard Center for Curatorial Studies/Hessel Museum (2008), The Blanton Museum of Art, University of Texas at Austin (2009), Art in General, New York (2014) and This Friday or Next Friday, Brooklyn (2016). Their work was also included in the 11th International Istanbul Biennial, Istanbul, Turkey (2009) and the Momentum Biennale of Contemporary Art, Moss, Norway (2013), among others. Since 2006, they have shown with Galleria Riccardo Crespi, Milan and have had numerous solo exhibitions in galleries including Guild & Greyshkul, New York (2007), Milliken Gallery, Stockholm (2008), Reception Gallery, Berlin (2010) and Churner and Churner Gallery, New York (2012, 2014).
Raskin was awarded a Creative Time Global Residency (2013) and the Guna S. Mundheim Berlin Prize in Visual Arts from the American Academy in Berlin (2005). Their work has been reviewed in such publications at Art Forum, The New York Times, The Brooklyn Rail, Hyperallergic and Flash Art International. Raskin’s work is in the collection of the Hessel Museum of Art, Annandale-on-Hudson and Bunkier Sztuki, Krakow.
Raskin lives and works in Brooklyn and Providence and is represented by Galleria Riccardo Crespi in Milan.
Courses
Fall 2024 Courses
SCULP 4717-01
SENIOR SCULPTURE: STUDIO I
SECTION DESCRIPTION
Building upon the independent work accomplished in Junior studio, students are expected to generate self directed work supported by in-process critiques, formal critiques, and individual meetings. Faculty and peer feedback will help students clarify their objectives, fine tune their technical abilities, and develop a strong working practice. Students are expected to hone their creative problem-solving skills and engage in a high level of dialog and work. Throughout the fall, students will practice integrating their source research into their studio practice. An increased and rigorous integration of contemporary art, critical theory, and criticism is expected. The visiting artist lecture series is a vital component of this course.
Students are pre-registered for this course by the department; registration is not available in Workday. Enrollment is limited to Senior Sculpture Students.
Major Requirement | BFA Sculpture
SCULP 4787-01
SENIOR SEMINAR: PRO PRACTICES
SECTION DESCRIPTION
Building on the methods of research and synthesis learned in Junior Sculpture: Research Studio, this is an intensive semester designed to strengthen students’ knowledge of professional practices for maintaining a creative practice past graduation. Students will develop a packet of materials which include a portfolio of work, artist statement, resume, and artist CV. This course will advance their research into a range of opportunities specific to the discipline of sculpture and their own individuated practices.
Each week students will be introduced to a variety of resources and skills necessary in preparing for upcoming and future opportunities such as residencies, granting organizations, graduate schools and fellowships. Additionally, topics of exhibiting works in various spaces such as galleries (artist-run, for-profit, university, etc.), museums, alternative art organizations and public art venues will be presented. There will also be workshops for preparing project budgets, archival storage of work and formatting for digital organization. This seminar aims to give students a strong foundation for professional practices prior to their final semester at RISD so they can focus on their body of work in Senior Degree Project and feel prepared to graduate.
Estimated Cost of Materials: $300.00
Students are pre-registered for this course by the department; registration is not available in Workday. Enrollment is limited to Senior Sculpture Students.
Major Requirement | BFA Sculpture
Spring 2025 Courses
SCULP 472G-01
GRADUATE STUDIO II
SECTION DESCRIPTION
Students pursue individual work under advisement of resident faculty, visiting artists and critics during the semester. Individual objectives are clarified and professional practices are discussed. Group interaction and discussions expected.
Majors are pre-registered for this course by the department. Enrollment is limited to Graduate Sculpture Students.
Major Requirement | MFA Sculpture
SCULP 4739-01
JUNIOR SCULPTURE: STUDIO II
SECTION DESCRIPTION
This course is a continuation of the vital pathway into independent work in Sculpture. Thematically driven prompts will provide the scaffolding of three major work sessions that direct the conversation in the studio. These studio conversations will take the form of in-process critiques, formal group critiques, and scheduled individual meetings. Students may also expect intersecting projects with shorter timeframes when appropriate. The visiting artist lecture series is a vital component of this course.
Majors are pre-registered for this course by the department. Enrollment is limited to Junior Sculpture Students.
Major Requirement | BFA Sculpture
SCULP 4786-01
SCULPTURE SEMINAR II: VISUAL AND CRITICAL LITERACIES
SECTION DESCRIPTION
Junior Seminar: Critical Issues is an intermediary level course designed to facilitate and support an intense study of themes relevant to art practices and conversations today. Through a series of readings, films, classroom discussion, group, and independent work, students learn to contextualize myriad discourses using the frames of art history, critical theory, philosophy, ethics, and politics. In this studio-centered seminar, students will develop a critical literacy that is applicable to their working practices and the attendant process of using materials to make meaning. This course supports discourse around the formation of the artist in an effort to figure out meaningful strategies for the development and maintenance of sustainable artistic and intellectual practices.
Estimated Cost of Materials: $50.00
Majors are pre-registered for this course by the department. Enrollment is limited to Junior Sculpture Students.
Major Requirement | BFA Sculpture