This course adds another layer of engagement to the MFA Sculpture curriculum in relation to the work done in Grad Studio and Advanced Critical Issues. The class will be divided into two six-week sections taught by a visiting critic and visiting curator. Through these distinct perspectives, students will develop a deeper understanding of the many roles that the artist can play in society in conjunction with gaining knowledge of professional practices within the fine arts field. Additionally, this course will consider the ways that art is displayed, viewed, contextualized and experienced and how visual art can influence contemporary thought and conversation through the history of curation and exhibition-making.

The course will consist of lectures, discussions, group critiques and one-on-one studio visits. The first half of the semester will focus on professional practice and consider each student’s practice through the lens of relevant historical and contemporary artists. Course content will include discussions about maintaining post-graduate art practices, application processes and cultivating thriving creative communities. The second half will focus on curation with emphasis placed on current trends and shifts in artistic and curatorial production, theory, and criticism. Students will examine a range of curatorial practices and consider case studies of artist curated shows. The class will also develop a proposal for a potential group exhibition to occur post-graduation. Both sections will involve the topic of exhibiting works in various spaces such as galleries (artist-run, for-profit, university, etc.), museums and alternative art organizations.

Enrollment is limited to 2nd-year Sculpture Graduate Students.

Major Requirement | MFA Sculpture