Sarah Hulsey

Critic

Sarah Hulsey is an artist whose work draws on her background in linguistics to explore the structure of language in a visual domain. She received a BA in linguistics from Harvard, a PhD in linguistics from MIT and an MFA in book arts and printmaking from the University of the Arts, Philadelphia. She has had solo exhibitions in Cambridge, Boston and Philadelphia and numerous group exhibitions both nationally and internationally. Hulsey is a 2020 recipient of the Artist Fellowship Award in Drawing and Printmaking from the Massachusetts Cultural Council. Her work is held in over 40 public museum and library collections including the Library of Congress, Yale University Haas Arts Library, Bainbridge Island Museum of Art, the Letterform Archive and the Ampersand Foundation in Johannesburg, South Africa, among others. She is represented by Bromfield Gallery in Boston, MA.

Courses

Spring 2025 Courses

PRINT 4642-01 - BOOKBINDING
Level Undergraduate
Unit Printmaking
Subject Printmaking
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start date
End date

PRINT 4642-01

BOOKBINDING

Level Undergraduate
Unit Printmaking
Subject Printmaking
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start and End 2025-02-13 to 2025-05-23
Times: M | 1:10 PM - 6:10 PM Instructor(s): Sarah Hulsey Location(s): 48 Waterman/East Hall, Room 006 Enrolled / Capacity: 14 Status: Closed

SECTION DESCRIPTION

This course will focus on book binding methods including, but not limited to stab binding, Coptic stitch, variations on the pamphlet stitch, drum leaf, and books sewn through the fold. Through weekly demonstrations and assignments, students will acquire skills in both adhesive and non-adhesive binding as well as basic box making techniques. The course places a focus on facilitating individual practice in the form of books, and the integration of binding methods learned in class into one's personal artistic process. At the end of the semester, students will have thorough understanding of the anatomy of books, how to make them, how to plan and execute their own design, and where to acquire materials and tools. There will be opportunities to view books from the RISD Special Collections and critical discussions surrounding the functions of book making in contemporary practice.

Estimated Cost of Materials: $175.00

Elective

PRINT 469G-01 - GRADUATE PRINTMAKING THESIS: ARTICULATING THE IDEAS AND PROCESSES THAT UNDERLIE YOUR WORK
Level Graduate
Unit Printmaking
Subject Printmaking
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start date
End date

PRINT 469G-01

GRADUATE PRINTMAKING THESIS: ARTICULATING THE IDEAS AND PROCESSES THAT UNDERLIE YOUR WORK

Level Graduate
Unit Printmaking
Subject Printmaking
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start and End 2025-02-13 to 2025-05-23
Times: M | 9:00 AM - 12:00 PM Instructor(s): Sarah Hulsey Enrolled / Capacity: 12 Status: Open

SECTION DESCRIPTION

Strategies for analysis and documentation are presented and discussed as students combine their research and reflections on their own evolving production into an illustrated, written thesis that organizes, focuses, and articulates their ideas. Artist's books, online publications and other formats will be explored. Intensive support for development and production of the thesis in relation to studio practice will be given.

Enrollment is limited to Graduate Printmaking Students.

Major Requirement | MFA Printmaking