Sara Majka
Sara Majka is a writer living on Providence’s west side. Her work has appeared in such journals as Guernica, Virginia Quarterly Review and A Public Space. Her first book—a collection of stories called Cities I’ve Never Lived In—was published by Graywolf/A Public Space in 2016 and was a New York Times Notable Book.
Majka earned graduate degrees from the University of Massachusetts–Amherst and Bennington College and was a fiction fellow at the Provincetown Fine Arts Work Center. Academic areas of interest include the uncanny in fiction, doppelganger fiction, the short story form and writing that blurs the line between fiction and nonfiction. Other interests include working with multilingual students and with students who are incorporating fiction into their art.
Courses
Fall 2024 Courses
LAS E101-26
FIRST-YEAR LITERATURE SEMINAR
SECTION DESCRIPTION
An introduction to literary study that helps students develop the skills necessary for college-level reading, writing, research and critical thinking. Through exposure to a variety of literary forms and genres, historical periods and critical approaches, students are taught how to read closely, argue effectively and develop a strong writing voice. The course is reading and writing intensive and organized around weekly assignments. There are no waivers for LAS-E101 except for transfer students who have taken an equivalent college course.
First-year Students are pre-registered for this course by the department.
Sophomore, Junior, Senior or Transfer Students register into designated section(s).
Major Requirement | BFA
Wintersession 2025 Courses
LAS E432-101
SHORT STORY WRITING WORKSHOP
SECTION DESCRIPTION
In this writing workshop, we will explore the short story, working to put into words what we--as individual readers and writers--hope to find in it. We'll consider what makes a story a story, while acknowledging that it is often something ineffable, indefinable. We'll read a range of contemporary and classic writers and will also read essays on craft. A significant amount of class time will be devoted to in-class writing and peer workshops. At the end of the term, students will be expected to submit a portfolio made up of reflections, rough drafts, and revised stories.
Elective
Spring 2025 Courses
ILLUS 506G-01
SEMINAR: CONTEMPORARY VISUAL HISTORY
SECTION DESCRIPTION
This course will deal with critical understandings of visual culture, narrative, and the melding of written and visual languages in contemporary graphic texts. We will begin with a study of visual culture, and some of the key issues, ideas, and questions that underlie thinking about visuality: its spaces and places; the politics of representation; theories of the spectator/audience; modes of reproduction and circulation of texts in the era of digitization and globalization. We will then consider theories of narratology, as they are particularly useful to a study of the graphic medium. For the final weeks of the semester, we will move to a consideration of some of the rich and varied criticism from within the field of comics studies.
Estimated Cost of Materials: $260.00
Open to Graduate Illustration Students.
Major Requirement | MFA Illustration
LAS E101-01
FIRST-YEAR LITERATURE SEMINAR
SECTION DESCRIPTION
An introduction to literary study that helps students develop the skills necessary for college-level reading, writing, research and critical thinking. Through exposure to a variety of literary forms and genres, historical periods and critical approaches, students are taught how to read closely, argue effectively and develop a strong writing voice. The course is reading and writing intensive and organized around weekly assignments. There are no waivers for LAS-E101 except for transfer students who have taken an equivalent college course.
First-year Students are pre-registered for this course by the department.
Sophomore, Junior, Senior or Transfer Students register into designated section(s).
Major Requirement | BFA