Marisa Mazria Katz
Marisa Mazria Katz is a journalist/editor of Syrian descent. She has contributed to numerous publications, including the The New York Times, Financial Times, Wall Street Journal, Vogue, NPR, Marketplace, Time and The New York Review of Books.
She has been awarded major grants for her editorial work from the Keith Haring Foundation, the Trust for Mutual Understanding and the Andy Warhol Foundation. In 2009 she received funding from the US State Department for a four-year program that taught journalism to teenagers from a marginalized community in Casablanca, Morocco.
In 2018 Mazria Katz served as one of the first Kickstarter Fellows, and later that year she founded the Craig Newmark Philanthropies–funded program the Eyebeam Center for the Future of Journalism. The program—whose central mission is to place writing by artists in major media publications like The New Yorker, The Guardian, Wired and The Atlantic—has supported works that have gone on to win a Pulitzer Prize, New York Press Club award, and a SXSW Film Festival 2021 Special Jury Recognition for Immersive Journalism.
Mazria Katz was the founding editor of Creative Time Reports. The program’s key goal was to publish artists’ unflinching perspectives on the most challenging issues of our times. With Creative Time Reports, artists were correspondents and brought their own unique spin to current events. Under her tenure, the website co-published Creative Time Reports content with The Guardian, Foreign Policy, The New Yorker, Slate, Salon, The Intercept and many more. In 2019 with Paper Chase Press, she published Artists on the News, a selection of work from Creative Time Reports.
Courses
Wintersession 2025 Courses
HPSS S276-101
FUTURE OF JOURNALISM
SECTION DESCRIPTION
Our understanding of the world is shaped by the news we read, watch, and listen to. But what happens in the face of a monumental paradigm shift, when the lexicon of legacy media—collapsing from breakneck technological changes like Artificial Intelligence and hyper-polarization—becomes one we no longer credibly trust to tell the stories that shape society? "The Future of Journalism" course will explore the unorthodox ways artists, journalists, and technologists disseminate vital stories as we encroach on a post-news world. From non-fiction storytelling efforts like community journalism theatre to puppetry and music-led news reporting in the Global South, transnational investigations employing non-journalist citizens to large-scale interactive art installations that tell the stories of geopolitical crises, students will study the rich landscape of innovating case studies and practitioners working globally to disseminate essential stories that challenge the status quo of decline and mistrust. The class will consist of weekly reading assignments followed by an independent project where students will envision an answer to the question: what is the future of journalism?
Elective
Spring 2025 Courses
ID 250G-01
GRADUATE THESIS MAPPING AND NARRATIVE II
SECTION DESCRIPTION
Graduate Thesis Communications II is a studio course run in parallel with our sibling studio course which focuses on completing your thesis. Together, we will spend the spring semester finishing the thesis and thesis book that you proposed at the end of Graduate Thesis Communications I. We continue to think about writing as a design tool and as a communication tool. For this course, we put more emphasis on the communication aspect. Together, we will continue to refine and strengthen the manner by which you explain your thesis to yourself and others. We will think about audience, voice, structure, and form. We will explore different ways of communicating the same idea in different contexts and mediums (visual, oral, written). We will examine how to share our work and with whom. At the end of the course, you will have a complete thesis.
Enrollment is limited to Graduate Industrial Design Students.
Major Requirement | MID Industrial Design
ID 250G-02
GRADUATE THESIS MAPPING AND NARRATIVE II
SECTION DESCRIPTION
Graduate Thesis Communications II is a studio course run in parallel with our sibling studio course which focuses on completing your thesis. Together, we will spend the spring semester finishing the thesis and thesis book that you proposed at the end of Graduate Thesis Communications I. We continue to think about writing as a design tool and as a communication tool. For this course, we put more emphasis on the communication aspect. Together, we will continue to refine and strengthen the manner by which you explain your thesis to yourself and others. We will think about audience, voice, structure, and form. We will explore different ways of communicating the same idea in different contexts and mediums (visual, oral, written). We will examine how to share our work and with whom. At the end of the course, you will have a complete thesis.
Enrollment is limited to Graduate Industrial Design Students.
Major Requirement | MID Industrial Design