Daniel Cavicchi

Professor
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Daniel Cavicchi
BA, Cornell University
MA, Brown University
MA, SUNY - Buffalo
PHD, Brown University

Daniel Cavicchi is an American studies scholar whose research and teaching explore history through music, media, place and the senses. In addition to numerous essays in journals and anthologies, he is author of the books Listening and Longing: Music Lovers in the Age of Barnum (winner of the 2012 ASCAP Deems Taylor Award); Tramps Like Us: Music and Meaning Among Springsteen Fans; and My Music: Explorations of Music in Daily Life, with Charles Keil and Susan D. Crafts. He is currently working on a book about historical fan cultures. 

Cavicchi’s public humanities work includes K-12 curricula for Experience Music Project and PBS; multiple exhibits for the Grammy Museum and the Grammy Museum Mississippi; the Witness Tree Project, a history and design curriculum with the National Park Service; and committee and board service for the NEH and several arts nonprofits. He established the Pop Conference with Eric Weisbard in 2001 and was the inaugural editor of Wesleyan University Press’ Music/Interview Series. He has served on the editorial boards of EthnographyAmerican Music and Participations: Journal of Audience and Reception Studies and has lectured about his work globally, including in Denmark, Italy, Brazil, China, Japan and the US.

He is the recipient of both the 1996 President’s Award for Excellence in Teaching from Brown University and the 2004 John R. Frazier Award for Excellence in Teaching from RISD. He also has served RISD in multiple administrative roles, including dean of liberal arts, associate provost, vice provost and provost.

Academic areas of interest

 

  • Popular music history and culture
  • Audience studies and reception theory
  • Sensory history
  • Public history and education

Courses

Fall 2024 Courses

HPSS S233-01 - FAN CULTURES
Level Undergraduate
Unit History, Philosophy, and the Social Sciences
Subject History, Philosophy and the Social Sciences
Period Fall 2024
Credits 3
Format Seminar
Mode In-Person
Start date
End date

HPSS S233-01

FAN CULTURES

Level Undergraduate
Unit History, Philosophy, and the Social Sciences
Subject History, Philosophy and the Social Sciences
Period Fall 2024
Credits 3
Format Seminar
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: F | 9:40 AM - 12:40 PM Instructor(s): Daniel Cavicchi Location(s): College Building, Room 410 Enrolled / Capacity: 15 Status: Closed

SECTION DESCRIPTION

Many people, across cultures, have experienced an enthusiasm that changes them. In this course, rooted in the interdisciplinary field of fan studies, we will investigate various histories of such passion, especially how groups of people, over time, have used ardent beliefs and practices to shape new identities and communities and how others, often in authority, have sought to suppress or manage those identities and communities. We will study early instances of fandom, from 19th-century social manias to various groups of lovers, fanciers, buffs, and kranks, as well as modern fans of media, music, and sports. Students can expect advanced reading in cultural history and media theory, as well as several short papers.

Elective

HPSS S234-01 - MUSIC IN DAILY LIFE
Level Undergraduate
Unit History, Philosophy, and the Social Sciences
Subject History, Philosophy and the Social Sciences
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start date
End date

HPSS S234-01

MUSIC IN DAILY LIFE

Level Undergraduate
Unit History, Philosophy, and the Social Sciences
Subject History, Philosophy and the Social Sciences
Period Fall 2024
Credits 3
Format Lecture
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: TTH | 9:40 AM - 11:10 AM Instructor(s): Daniel Cavicchi Location(s): College Building, Room 412 Enrolled / Capacity: 25 Status: Closed

SECTION DESCRIPTION

For millions of people today, music is experienced less in marked events, like concerts, and more in the unmarked or mundane moments of each day: commuting to work, going for a walk, shopping at a store, cleaning the kitchen. In this course, we will explore different aspects of everyday musicality, from common acts of making and listening to the communities of learning and psychological affordances they create. Throughout, we will pay close attention to the diverse functions of musicking, including self-making, motivation, social control, and healing, as well as the changing music technologies and institutions that have shaped musical experience. Assignments include readings in ethnomusicology, sociology, and history, as well as fieldwork observation and interviewing.

Elective

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Daniel Cavicchi
BA, Cornell University
MA, Brown University
MA, SUNY - Buffalo
PHD, Brown University