Daniel Cavicchi
Daniel Cavicchi is an American studies scholar whose teaching and research focus on music, fandom and cultural history. His books include Listening and Longing: Music Lovers in the Age of Barnum (2011, winner of the ASCAP Deems Taylor Award); Tramps Like Us: Music and Meaning Among Springsteen Fans (1998, runner-up for the Woody Guthrie Book Award); and My Music: Explorations of Music in Daily Life (1993), with Charles Keil and Susan D. Crafts. He has published numerous essays, the most recent of which have explored cultural sustainability, 19th-century enthusiasm, audience iconography and the reception of discarded objects. He is currently working on a book about historical fan cultures.
Cavicchi’s public humanities work includes the Witness Tree Project, a history and design curriculum with the National Park Service; multiple exhibits for the Grammy Museum; K-12 curricula for Experience Music Project and PBS; and board/committee service for the NEH and several arts nonprofits. He established the Pop Conference with Eric Weisbard in 2001 and was the inaugural editor of Wesleyan University Press’ Music/Interview Series. He has served on the editorial boards of Ethnography, American Music and Participations: Journal of Audience and Reception Studies and has lectured about his work globally, including in Brazil, China, Czechia, Denmark, Germany, Italy, Japan and the US.
He is the recipient of both the 1996 President’s Award for Excellence in Teaching from Brown University and the 2004 John R. Frazier Award for Excellence in Teaching from RISD. He also has served RISD in multiple administrative roles, including head of History, Philosophy, and the Social Sciences; dean of Liberal Arts; associate provost for Research/Global/Practice; Vice Provost; and Provost.
Academic areas of interest
- Fan and audience studies
- Popular music history and culture
- US cultural history
- Public history and education
Courses
Fall 2024 Courses
HPSS S233-01
FAN CULTURES
SECTION DESCRIPTION
Many people, across cultures, have experienced an enthusiasm that changes them. In this course, rooted in the interdisciplinary field of fan studies, we will investigate various histories of such passion, especially how groups of people, over time, have used ardent beliefs and practices to shape new identities and communities and how others, often in authority, have sought to suppress or manage those identities and communities. We will study early instances of fandom, from 19th-century social manias to various groups of lovers, fanciers, buffs, and kranks, as well as modern fans of media, music, and sports. Students can expect advanced reading in cultural history and media theory, as well as several short papers.
Elective
HPSS S234-01
MUSIC IN DAILY LIFE
SECTION DESCRIPTION
For millions of people today, music is experienced less in marked events, like concerts, and more in the unmarked or mundane moments of each day: commuting to work, going for a walk, shopping at a store, cleaning the kitchen. In this course, we will explore different aspects of everyday musicality, from common acts of making and listening to the communities of learning and psychological affordances they create. Throughout, we will pay close attention to the diverse functions of musicking, including self-making, motivation, social control, and healing, as well as the changing music technologies and institutions that have shaped musical experience. Assignments include readings in ethnomusicology, sociology, and history, as well as fieldwork observation and interviewing.
Elective
Spring 2025 Courses
HPSS S101-01
TOPICS: HISTORY, PHILOSOPHY, & THE SOCIAL SCIENCES
SECTION DESCRIPTION
Topics in History, Philosophy, and the Social Sciences is an introductory course in which students are encouraged to develop the skills in critical thinking, reading, and writing that are common to the disciplines represented in the Department of History, Philosophy, and the Social Sciences (HPSS). Sections focus on the topics typically addressed within the department's disciplines; through discussion about key texts and issues, students are introduced to important disciplinary methodologies and controversies. All sections have frequent writing assignments, which, combined with substantial feedback from HPSS faculty, afford students the opportunity to develop the strategies and techniques of effective writing. There are no waivers for HPSS-S101 except for transfer students who have taken an equivalent college course.
- First-year students are registered by the Division of Liberal Arts.
- Transfer and upper-level students should register for one of the evening sections that are offered in the Fall and Spring semester.
Major Requirement | BFA
HPSS S101-02
TOPICS: HISTORY, PHILOSOPHY, & THE SOCIAL SCIENCES
SECTION DESCRIPTION
Topics in History, Philosophy, and the Social Sciences is an introductory course in which students are encouraged to develop the skills in critical thinking, reading, and writing that are common to the disciplines represented in the Department of History, Philosophy, and the Social Sciences (HPSS). Sections focus on the topics typically addressed within the department's disciplines; through discussion about key texts and issues, students are introduced to important disciplinary methodologies and controversies. All sections have frequent writing assignments, which, combined with substantial feedback from HPSS faculty, afford students the opportunity to develop the strategies and techniques of effective writing. There are no waivers for HPSS-S101 except for transfer students who have taken an equivalent college course.
- First-year students are registered by the Division of Liberal Arts.
- Transfer and upper-level students should register for one of the evening sections that are offered in the Fall and Spring semester.
Major Requirement | BFA