Jacek Mrowczyk
Jacek Mrowczyk is a graphic designer, editor, curator, researcher and educator. He graduated from the Department of Industrial Design at the Academy of Fine Arts in Krakow, Poland. He co-founded and edited the design quarterly 2+3D, which was published in Poland from 2001–16 and has authored many articles and books on graphic design. He was a Fulbright scholar at the Cooper-Hewitt National Design Museum in New York (2001–02) and a Kościuszko Foundation Fellow at Rhode Island School of Design (2006–07). Concurrently with his work at RISD, he teaches at the Academy of Fine Arts and Design in Katowice, Poland. His current research focuses on Polish graphic design during the era of the Polish People’s Republic (1945–89).
Courses
Fall 2024 Courses
GRAPH 3223-03
TYPOGRAPHY III
SECTION DESCRIPTION
Typography III is the culmination of RISD's typography sequence, with an emphasis on typography and contemporary display platforms. Advances in software and hardware have created new opportunities for how language is written, sequenced and accessed. Projects in this semester depend on altered states, where the content, composition, and context all are potentially at play. Students will continue to develop proficiency in designing for static compositions while extending the meaning and voice of that work across multiple platforms. Students will have ample opportunity to further shape their perspective and individual voice in relation to contemporary typography. This is a studio course, so some class time will be used for discussions, most of the time we will be working in class, often on a computer. There is an expectation that students work both individually and in groups and be prepared to speak about their own work and the work of their peers in supportive and respectful ways. A laptop and relevant software are required.
Please contact the department for permission to register.
Major Requirement | BFA Graphic Design
GRAPH 3226-02
DESIGN STUDIO 3
SECTION DESCRIPTION
Students are expected to develop personal working methods and interests through more general questions posed by the faculty. Longer-term projects will be intermixed with shorter projects posed by visiting critics. Students should complete the Design Studio track with a developed sense of self, and able to start framing questions and lines of inquiries of their own. End forms will be more emphasized than in Design Studio 1 and 2, in part as evidence that craft and working methods are sufficiently evolved. The twice-a-week format is intended for juniors or advanced designers who have completed the first two semesters of Design Studio or an equivalent design principles track.
Please contact the department for permission to register.
Major Requirement | BFA Graphic Design