Vanessa Gully Santiago
Vanessa Gully Santiago is an artist living and working in Queens, NY who has been teaching for eight years at various universities and colleges in the New York metro area. In her paintings and drawings she explores topics related to alienation, technology, sexuality, gender and power. Her work has been the subject of solo exhibitions at Allen and Eldridge, James Fuentes Online, Thierry Goldberg and American Medium. She has also participated in a number of group and two-person exhibitions at Europa, Microscope, Rachel Uffner, Mrs, JTT, Helena Anrather, Jack Barrett, Marinaro (all in New York), in lieu (CA), Embajada (PR) and Collaborations (DK), among other venues.
She earned her BFA from the Cooper Union for the Advancement of Science and Art and her MFA from Rutgers University, Mason Gross School of Art. Recipient of the Marlene and David Tepper Scholarship in 2013, she was also awarded the Paul Robeson Emerging Young Artist Award (2013) and the Michael S. Vivo Award for Excellence in Drawing (2006). Her work has been written about in Artforum and Forbes, and she has been a resident artist at Hudson House (2023), Byrdcliffe Artist Colony (2014) and the Vermont Studio Center (2011).
Courses
Fall 2024 Courses
FOUND 1001-19
STUDIO:DRAWING
SECTION DESCRIPTION
Studio: Drawing is pursued in two directions: as a powerful way to investigate the world, and as an essential activity intrinsic to all artists and designers. As a primary mode of inquiry, drawing is a central means of forming questions and creating knowledge across disciplines. Through wide-ranging drawing approaches, students are prompted to work responsively and self-critically to embrace the unpredictable intersection of process, idea and media. To pursue these larger ideas, the studio becomes a laboratory of varied and challenging activities. Instructors introduce drawing as a dynamic two-dimensional record of sensory search, conceptual thought, or physical action. Students investigate materiality, imagined situations, idea generation, and the translation of the observable world. Formal and intellectual risks are encouraged during a sustained engagement with the possibilities of material, mark-making, perception, abstraction, performance, space and time. As students trust the drawing process, they become more informed about its uncharted potentials, and accept struggle as necessary and positive; they gain confidence in their own sensibilities.
Enrollment is limited to First-Year Undergraduate Students.
Major Requirement | BFA
Spring 2025 Courses
FOUND 1002-14
STUDIO:DRAWING
SECTION DESCRIPTION
Studio: Drawing is pursued in two directions: as a powerful way to investigate the world, and as an essential activity intrinsic to all artists and designers. As a primary mode of inquiry, drawing is a central means of forming questions and creating knowledge across disciplines. Through wide-ranging drawing approaches, students are prompted to work responsively and self-critically to embrace the unpredictable intersection of process, idea and media. To pursue these larger ideas, the studio becomes a laboratory of varied and challenging activities. Instructors introduce drawing as a dynamic two-dimensional record of sensory search, conceptual thought, or physical action. Students investigate materiality, imagined situations, idea generation, and the translation of the observable world. Formal and intellectual risks are encouraged during a sustained engagement with the possibilities of material, mark-making, perception, abstraction, performance, space and time. As students trust the drawing process, they become more informed about its uncharted potentials, and accept struggle as necessary and positive; they gain confidence in their own sensibilities.
Enrollment is limited to first-year undergraduate students.
Major Requirement | BFA