Shawn Greenlee

Professor
Image
Shawn Greenlee operates a digital sound tool inside a room with speakers and a large window in the background
BFA, Rhode Island School of Design
MA, Brown University
PHD, Brown University

Shawn Greenlee is a composer, sound artist and professor who leads RISD’s Studio for Research in Sound and Technology (SRST).  His recent work explores spatial audio, high density loudspeaker arrays and erratic sound synthesis techniques.

Active as a solo electronic / electroacoustic improvisor since 1997, Greenlee has toured extensively across the US and Europe. Conference and festival performances include New Interfaces for Musical Expression (2018 Blacksburg, 2015 Baton Rouge, 2014 London, 2013 Daejeon), International Computer Music Conference (2021 Santiago, 2018 Daegu, 2011 Huddersfield, 2005 Barcelona), BEAST FEaST (2017 Birmingham), PdCon16 (2016 New York), Cube Fest (2019, 2016 Blacksburg), Re-new (2013 Copenhagen), IN TRANSIT (2008 Berlin) and Elevate (2007 Graz), among others.

Greenlee’s solo and group discography spans over 50 releases. He is a founding member of Landed, active since 1997 and known for its deconstructed rock, rhythmic noise and intense live performances. From 1999–2001, he performed with Six Finger Satellite.

Greenlee holds a PhD in computer music and new media from Brown University.

Courses

Fall 2024 Courses

SOUND 2006-01 - SPATIAL AUDIO: ENVELOPMENT AND IMMERSION
Level Undergraduate
Unit Digital + Media; Experimental and Foundation Studies
Subject Sound
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

SOUND 2006-01

SPATIAL AUDIO: ENVELOPMENT AND IMMERSION

Level Undergraduate
Unit Digital + Media; Experimental and Foundation Studies
Subject Sound
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: F | 1:10 PM - 6:10 PM Instructor(s): Shawn Greenlee Location(s): 15 West, Roger Mandle Building, Room M11 Enrolled / Capacity: 12 Status: Closed

SECTION DESCRIPTION

Spatial Audio focuses on the creation of immersive 3-D sound experiences. In this course, students analyze and explore how the sensation of space is activated in the listener by making works using spatial audio techniques. These methods include high order ambisonics, vector-based amplitude panning, multichannel surround, and binaural audio, among others. Throughout the semester, a series of exercises addressing technical and theoretical issues provide students with the necessary experience to produce midterm and final projects. Coursework involves computational approaches to sound design and composition with instruction in the audio programming language Max and digital audio workstation Reaper. Students have recurring access to a 25-channel loudspeaker array for the development of works. Readings from psychology, philosophy, the arts, and sound studies support class discussions and critiques. Students will need a laptop computer (Mac or Windows). Previous experience with digital audio software recommended.
Estimated Cost of Materials: $100.00

Elective

Spring 2025 Courses

DM 7199-01 - THESIS PROJECT
Level Graduate
Unit Digital + Media
Subject Digital + Media
Period Spring 2025
Credits 12
Format Studio
Mode In-Person
Start date
End date

DM 7199-01

THESIS PROJECT

Level Graduate
Unit Digital + Media
Subject Digital + Media
Period Spring 2025
Credits 12
Format Studio
Mode In-Person
Start and End 2025-02-13 to 2025-05-23
Times: TH | 9:00 AM - 5:00 PM Instructor(s): Mariela Yeregui, Shawn Greenlee, Stephen Cooke Location(s): Center for Integrative Technologies, Room 402 Enrolled / Capacity: 15 Status: Open

SECTION DESCRIPTION

This course supports the practical, conceptual, theoretical and historical development of the M.F.A. thesis (exhibition and written document). Students are required to work independently and in individual consultation with their thesis committee to develop and finalize the thesis exhibition and written document for presentation at the end of the year. The exhibition and written thesis should articulate one's personal studio art / design practice in an historically and theoretically informed context. Formal group critiques are required at the midterm and end of the semester. A major final critique with visiting critics is held in the context of the final MFA Exhibition. The accompanying written thesis is expected to be of publishable quality and is also placed within the public sphere through electronic publication and filing with the RISD Library. Final submissions for this course include the presentation of a final exhibition, submission of the final written thesis, and timely completion of work for preliminary deadlines throughout the semester (draft theses, exhibition plans and press materials). Please see Digital + Media Thesis Timeline for a clear sequence of required deadlines. Please refer to the DM Thesis Guidelines and Policies for clarification of the goals and expectations of the RISD DM MFA.

Estimated Cost of Materials: $100.00 - $300.00

Majors are pre-registered for this course by the department. Enrollment is limited to Digital + Media Students.


Major Requirement | MFA Digital + Media

Image
Shawn Greenlee operates a digital sound tool inside a room with speakers and a large window in the background
BFA, Rhode Island School of Design
MA, Brown University
PHD, Brown University