Antoine Revoy

Senior Critic - Illustration
Image
BFA, Rhode Island School of Design

Antoine Revoy is an award-winning French writer, illustrator and designer. Born in Paris in 1977, Revoy grew up in Tokyo, Mexico City and Barcelona and is a hyperpolyglot speaking six languages. Having earned a BFA in Film/Animation/Video from RISD in 1999, he began his creative career as a visual designer in Dublin, Ireland and Paris, France, while simultaneously freelancing as an illustrator. Upon returning to the US in 2009, Revoy dedicated himself to working as an illustrator full-time, notably creating artwork for Der Spiegel, Harvard University and The New York Times. In 2019, Revoy created the medical instructional illustrations for Abbott Laboratories’ device ID NOW, which has been used worldwide for rapid testing during the COVID-19 pandemic. 

Revoy has received Gold Awards from Graphis and the Society of Illustrators of Los Angeles, and his work has been exhibited at the New York Comic Con, the MoCCA Arts Festival, the Museum of American Illustration, Gallery Nucleus, the University of Rhode Island and the John F. Kennedy Center for the Performing Arts. His illustrations have also received awards from PRINT Magazine, the Society of Illustrators of New York, American Illustration, 3x3 Magazine and Spectrum: The Best in Contemporary Fantastic Art.

Revoy has taught at RISD for 12 years and has twice been nominated for RISD’s John R. Frazier Award for Excellence in Teaching, in 2015 and 2017. He has created many of the Illustration department’s visual storytelling courses and has mentored students who have become graphic novelists and comics creators for DC Comics, Marvel and Dark Horse Comics. Revoy has also served as an MFA thesis advisor at the School of Visual Arts in New York City, and as a Brown University/RISD Dual-Degree capstone advisor. He has instructed month-long college courses in China (Beijing) and Japan (Tokyo, Osaka, Niigata) and has coached students who have won Shonen Jump, Eisner, Society of Illustrators and Fulbright scholarships. Additionally, Revoy has written the French dialogue for Dan Santat’s graphic novel A First Time for Everything, which won the 2023 National Book Award.

Revoy is the creator of the horror graphic novel ANIMUS (2018), which was distinguished as a 2019 Great Graphic Novel for Teens by YALSA, a division of the American Library Association, and was selected as one of the 31 Best Scary Comics for Kids. His follow-up graphic novel, THE HARROWING GAME, will be published in spring 2025 as one of the launch titles of 23rd Street Books, a new imprint for adult readers. He resides in Providence with his wife, author-illustrator Kelly Murphy, and their many beloved animal companions.

Academic areas of interest

Drawing
Storytelling
Comics/Manga
Film/Animation
Greek and Egyptian mythology
19th-century Russian literature
Science fiction

Courses

Fall 2024 Courses

ILLUS 3944-01 - COMICS, MANGA & BANDES DESSINEES
Level Undergraduate
Unit Illustration
Subject Illustration
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

ILLUS 3944-01

COMICS, MANGA & BANDES DESSINEES

Level Undergraduate
Unit Illustration
Subject Illustration
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: F | 1:10 PM - 6:10 PM Instructor(s): Antoine Revoy Location(s): Illustration Studies Building, Room 412 Enrolled / Capacity: 15 Status: Closed

SECTION DESCRIPTION

Sequential art is a thriving global art form whose recent history is grounded in three artistic, linguistic and publishing traditions: Comics, Manga, and Bande Dessinee. This course offers an intensive introduction to their creative possibilities. It will present storytelling and technical approaches that will enhance your ability to work as a writer and artist in the comics industry, as well as in other narrative driven fields. Assignments will take the shape of short form comics (1-8 pages) but students will also learn about writing, developing and pitching longer works such as graphic novels. During class discussions, we will engage in comparative study, identifying unexpected connections with other arts (literature, music, film, animation) while revealing the unique expressive potential of this medium.

Elective

Wintersession 2025 Courses

ILLUS 2008-101 - INTRODUCTION TO ILLUSTRATION
Level Undergraduate
Unit Illustration
Subject Illustration
Period Wintersession 2025
Credits 3
Format Studio
Mode In-Person
Start date
End date

ILLUS 2008-101

INTRODUCTION TO ILLUSTRATION

Level Undergraduate
Unit Illustration
Subject Illustration
Period Wintersession 2025
Credits 3
Format Studio
Mode In-Person
Start and End 2025-01-03 to 2025-02-06
Times: TW | 1:10 PM - 6:10 PM | 01/21/2025 - 01/22/2025; MT | 1:10 PM - 6:10 PM | 01/27/2025 - 01/28/2025; MTW | 1:10 PM - 6:10 PM | 02/03/2025 - 02/05/2025; MTW | 1:10 PM - 6:10 PM | 01/06/2025 - 01/08/2025; MT | 1:10 PM - 6:10 PM | 01/13/2025 - 01/14/2025 Instructor(s): Antoine Revoy Location(s): Illustration Studies Building, Room 413 Enrolled / Capacity: 17 Status: Closed

SECTION DESCRIPTION

This course will be a survey regarding the concepts, techniques and methodology of illustration specifically designed for Freshman students who are considering illustration as a major. Students will examine illustration genres, including book, editorial and corporate illustration, while working with a variety of methods and materials.

Elective

Spring 2025 Courses

ILLUS 3590-01 - THE CHANGING NARRATIVE
Level Undergraduate
Unit Illustration
Subject Illustration
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start date
End date

ILLUS 3590-01

THE CHANGING NARRATIVE

Level Undergraduate
Unit Illustration
Subject Illustration
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start and End 2025-02-13 to 2025-05-23
Times: F | 1:10 PM - 6:10 PM Instructor(s): Antoine Revoy Location(s): Illustration Studies Building, Room 413 Enrolled / Capacity: 15 Status: Closed

SECTION DESCRIPTION

The Changing Narrative will explore the challenges and possibilities of innovative storytelling structure: non-linear, interactive, multimedia. In this class, students will create inventive work at the intersection of physical and digital media, the old and the new. Students will be introduced to classic dramatic structures across cultures-Asian Kishotenketsu, Freytag's pyramid, Shakespearean tragedy-and learn fundamental digital skills via class demonstrations and exercises. Drawing from these patterns and tools, students will then seek to unveil new storytelling possibilities granted by modern technology (computer animation, touch screen interaction, hypermedia) to traditional artforms (illustration, comics, gaming). What happens when a comic's panel starts to move? Where does a story go if the reader is allowed to make decisions? Students will investigate these creative avenues and create playful, hybrid stories. Along the course of the semester, assignments will notably include short-form animated illustrations, experiments with gamebooks and cartoon strips, culminating in a final, long-form narrative project.

This course fulfills either the Illustration Concepts elective requirement OR the Computer Literacy requirement (not both) for Illustration majors.

Open to Junior or Senior Illustration Students.

Elective

ILLUS 3943-01 - THE GRAPHIC NOVEL
Level Undergraduate
Unit Illustration
Subject Illustration
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start date
End date

ILLUS 3943-01

THE GRAPHIC NOVEL

Level Undergraduate
Unit Illustration
Subject Illustration
Period Spring 2025
Credits 3
Format Studio
Mode In-Person
Start and End 2025-02-13 to 2025-05-23
Times: T | 1:10 PM - 6:10 PM Instructor(s): Antoine Revoy Location(s): Illustration Studies Building, Room 412 Enrolled / Capacity: 15 Status: Closed

SECTION DESCRIPTION

This course is a comics writing and artmaking workshop with an emphasis on professional production finishing techniques, culminating in materials for pitching a comic project or graphic novel. Assignments will introduce students to both traditional methods (thumbnailing, inking) and state of the art technical processes (digital coloring, art preparation, file format and delivery, and processing for press quality publication). Students will develop their visual storytelling abilities by creating comics from existing scripts—exploring various literary genres, among which sci-fi, mystery or non-fiction—as well as original stories.

Estimated Cost of Materials: $0.00

Elective

Image
BFA, Rhode Island School of Design